The Crown which today rest in the Crown Room of Edinburgh Castle was remodelled
by order of James V in 1540, but there is no precise evidence of its antiquity.
In the accounts of the Lord high Treasurer of Scotland there are recorded payments
in 1532 and 1533 for gold to men the Crown, and on the 15th of January 1540, to John
Mosman, a goldsmith in Edinburgh, for the making and fashion of the King's Crown and
for twenty-three stones supplied for it.
The four golden arches of the Crown are ornamented with gold and red enamelled oak
leaves, apparently of French workmanship. At the point where the arches meet there
rests a mound or celestial globe of gold, the sign of sovereign authority and majesty
which is enamelled in blue and ornamented with gild stars. This is surmounted by
a large cross decorated in gold and black enamel withan amethyst in rectangular form in
the center. The upper and two side extremities of the cross are adored with find Oriental
pearls.
It is generally accepted that the gold of which the Crown is composed was obtained
partly, if not entirely, from Scottish mines-probably from those of Crawford Moor,
which were active about the period whien the Crown was remade.
The Sceptre was originally a gift from Rome, having been presented along with a gold
rose by Pope Alexander VI to James IV in 1494. It was refashioned by James V, whose
initial are engraved on the upper portion of the lower rod.
The rod, which is of gilded silver, is hexagonal and in three divisions, the end
division forming the handle. The decond division is ornamented on three sides with engraved
fleurs-de-lis and thistles, while the upper division is decorated with grotesques, cups and
foliage.
The head of the rod is flanked by dolphins, with small figures in between. The first
of these represents the Virgin Mary, crowned with an open crown, holding on her right arm
Our Saviour and in her left hand a mound, ensigned with a cross. On her left hand is St
James, clad in a loose flowing robe and cape. To his left is St Andrew's Cross or saltire,
the upper portion of which is broken off.
The globe is a rock crystal, cut and polished smooth, and is surmounted by a small oval
globe with a Scottish pearl fixed on top.
The Sword of Stage was presented by Pope Julius II to James IV in 1507. It ws accompanied
by the sword belt and a consectrated hat, and they were delivered with great solemnity in the
Church of Holyrood by the Papal legate and the Abbot of Dunfermline. It is a fine specimen of
craftsmanship and belongs to the period when the art of sculpture was reviving in Rome.
The blade of the sword is 3 feet 3 inches long and carries two gold-filled etchings of the
apostles Paul and Peter, once concealed by ornamental leaves which are now broken away. In the
center of the blade on each side there is also etched and filled in with gold the name of Pope
Julius. Oak leaves and acorns, the emblem of Pope Julius, are heavily sculptured on the
pommel and handle, which are made of gilded silver. The traverse guard of the Sword is 17 and
1/4 inches from the extremities.
The scabbard is made of wook, covered with crimson silk velvet and mounted with silver-gilt
ornamentation and enamelled plates; one of these bears the arms of Pope Julius II, and two
of the others bear some letters which evidently formed part of the Pope's cipher.
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of the Royal Stuarts.