A tour of the City
Edinburgh Castle
Entrance to the castle is made at the top of the Royal
Mile and into the Esplanade, a wide parade ground that presents splendid views north
over the city and south to the Pentland Hills about 8 miles (13km) away. The imposing
building you see on the south side is George Herriott's School, built in the mid-seventeenth
century as an orphanage and now a private school. During the summer the Esplanade
is prepared for nightly pageants held during the Military Tattoo.
The castle entrance is guarded by members of the Highland
Regiment, the last draw-bridge to be built in Scotland as well as the imposing statues
of Robert the Bruce and William Wallace. There are some six gates between the entrance
and the Argyle and Mills Batteries designed to keep the English out but now, for
a cost, they are made most welcome. Every day at 1pm (13.00 hours), a salute is fired
from the upper battery.
Entering the upper level by Foog's Gate, on the highest
terrace stands the remnants of the castle's oldest building and, in fact, the oldest
roofed building in Scotland. Her Son, David I, built this miniature chapel for Queen
Margaret in the late eleventh century or perhaps in her memory.
Entering Crown Square you come upon the Scottish National
War Memorial, a commemorative site for the dead of each of the twelve Scottish Regiments
of both World Wars and up until recent times. Douglas Strachan designed the sombre
stained-glass windows depicting the scenes of battle through the four seasons.
The Royal Scots Regimental Museum diagonally across
the square contains large rooms crowded with military memorabilia.
The Great Hall or Banqueting Hall, built by James
IV on the south side of Crown Square, was the meeting place of the Scottish Parliament
until 1639. Its hammer-beam ceiling, said to be the up-side-down hull of a ship,
was restored to its former glory in the late nineteenth century after the hall had
been used as an army barracks for Cromwell's troops. It was here on an occasion known
as the "Black Dinner" that the 8-year-old King James II witnessed the death
of two of the Black Douglasses, a notoriously powerful family.
The Palace Block on the south-east corner of the castle
housed the royal apartments. Mary Queen of Scots gave birth to James I/VI in 1566
in a small antechamber adjoining her own room. Next to this in the centre of the
Palace Block is an exhibition surrounding the dramatic story of the 'Honours of Scotland'
(Scottish Crown Jewels) and the recent return to Scotland of the Stone of Scone or
Stone of Destiny. The fascinating history of both these treasures unfolds as you
make your way round the exhibition.
The Stone of Scone and the 'Honours of Scotland'
The crown, sceptre and sword are the oldest in Britain,
having survived the restoration period. The crown, which can only be worn again if
a Stewart comes back to the throne, is made of Scottish gold and is adorned with
94 pearls, 10 diamonds and several other precious stones. Along with the 'Honours'
sits the Stone of Scone, returned to Scotland in 1997 after 700 years. This was the
coronation seat of Scottish kings until King Edward I carried it away as war booty
in 1296. Since then it has been kept under the coronation chair in Westminster Abbey.
The Old Town
The Old Town was built upon a tadpole-shaped ridge
with the castle and its rock at its head. As it pushed east, glacial action peeled
away the ground around the basalt volcanic plug and left behind a residue of silt
and debris. This is now the Royal Mile which has always been the backbone of the
Old Town.
Many of the surviving buildings have seen 200 years
or more of Edinburgh life. The Flodden Wall forced the town to grow up instead of
out, the high tenements creating a canyon of great character and diversity.
A tour of Edinburgh's Royal Mile, the principal thoroughfare
of the Old Town, usually starts at Castlehill outside the Esplanade. On the wall
before the start of Castlehill is the Witches Fountain, a spot where more than 300
women were burned as suspected witches, the last in 1722. Ramsay Gardens on the left,
an unusual 1890s apartment block, includes Ramsay Lodge built by the poet Allan Ramsay,
father of the famous painter of the same name.
The Royal Mile
The Royal Mile is divided into four sections, Castle
Hill, Lawnmarket, High Street and Canongate. Canonball House stands on the opposite
side of Castle Hill with an actual canon ball embedded in its castle-facing wall
above the stairs leading down to Johnston Terrace. It was said to have caught a stray
shot fired at Bonnie Prince Charlie's encampment but, in truth, the ball was placed
there to mark the gravitation height of the city's first piped water supply, the
old reservoir standing opposite.
Next door to Canonball House is the Scottish Whisky
Heritage Centre, which gives a worthwhile sample of the whisky-making process blended
into audio-visual presentations and historic tableaux. Just outside, the Witchery
Restaurant is where the 'Murder and Mystery' walking tours of the Old Town meet.
Outlook Tower and the Camera Obscura stand opposite, a seventeenth
century house that was converted for this purpose with a mirrored periscope device
reflecting the moving images from outside onto a round white table, the quality of
which is determined by the clarity of the day. The roof-top viewing area gives some
of the best views of the city equipped with telescopes and viewfinders. There are
displays of old pictures of Edinburgh, a pin-hole camera exhibition and a holography
presentation. The lower floor houses a small gift shop.
The dark, towering spire of St John's Church is the
highest in the city and dominates Castle Hill. This was the Highland Kirk in Edinburgh
where all the services were given in the Gaelic language, catering to the large number
of Gaelic speakers living in Edinburgh following the Highland Clearances. The Assembly
Hall across the road is the meeting place of the General Assembly of the Church of
Scotland and is taken over during the Festival for larger theatrical productions.
Lawnmarket, a wider stretch of the Mile and once a
daily fruit, vegetable and dairy produce marketplace, houses some notable buildings.
On the left are Milne's Close and James Court, two courtyards restored in the late
1960s to give an impression of seventeenth and eighteenth century Old Town buildings
as well as accommodation for Edinburgh's students.
Gladstone's Land was an earlier seventeenth century
tenement building favoured by the wealthier residents of the Old Town but gradually
declining into a slum when the more prosperous inhabitants migrated to the less polluted
New Town.
Lady Stair's House down the close of the same name
was built in 1622 and is now a museum to three of Scotland's more famous literary
sons, Sir Walter Scott, Robert Louis Stevenson and Robert Burns.
Brodie's Close was the home of Deacon Brodie, upon
whom Robert Louis Stevenson based his character, Dr Jekyll and Mr Hyde. Brodie was
a carpenter and councillor by day but by night, using wax impressions of the locks
of houses, he visited in his professional capacity and then he returned to rob them.
The heart-shaped stones outside the Parliament Square
mark the site of the old city jail and Tolbooth and it was here that the head of
the Duke of Montrose was displayed following his execution in 1650. Passers-by spit
on the stones for luck.
Sir Walter Scott appropriated the Tolbooth's main
door and incorporated it in his house at Abottsford in the Scottish Borders and also
used the Tolbooth as his opening setting in the novel Heart of Midlothian.
The imposing Georgian designs of Parliament Square
continue behind St Giles Cathedral and it is worth exploring to visit Parliament
House using the door marked number 11. It may not seem accessible to the public but
it is a municipal building open to visitors and well worth experiencing.
The Scottish Parliament sat in Parliament House between
1639 and 1707 and is now attached to the Court of Session for the Scottish Law Courts.
In the square itself is Edinburgh's oldest statue, that of the equestrian Charles
II. The Mercat Cross at the eastern end of the square was traditionally a gathering
place for merchants, merry-makers and executions. Royal proclamations were also made
here including Bonnie Prince Charlie's declaration of his father as king.
The present St Giles Cathedral or the High Kirk of
Edinburgh belies the ancient structures that have occupied this spot. The first church
dates from around the ninth century and was succeeded by a Norman building, which
was destroyed by English invaders. Rebuilt in the fifteenth century, this was the
base for John Knox's Reformation of the style of Scottish worship from Catholic to
Protestant.
At the time of Mary Queen of Scots, and having written
the infamous treatise, The First Blast of the Trumpet against the Monstrous Regiment
of Women, he marched down Canongate to Holyrood Palace to harangue his queen on several
occasions. Much to his chagrin, Scotland, France and England were all ruled by Catholic
queens at the time.
In 1826, the much-neglected St Giles building was
refurbished by William Burn, in the process unfortunately destroying much of the
interesting medieval detail. There is still plenty to appreciate inside especially
in the Thistle Chapel. Across the High Street is the City Chambers, then Cockburn
Street turns off to the left with a variety of unusual and tempting stores. This
part of the High Street is populated with some fine pubs, delicatessens and restaurants.
The Museum of Childhood contains a riot of artefacts from infancy of the ages but
it is curious to note that a bachelor started the collection.
John Knox's House jutting out into the Canongate, is Edinburgh's
oldest building dating as far back as 1490. It is uncertain whether he lived here
but widely belived that he did. The rooms are rather bare but there are interesting
painted ceilings at the top level.
Set at the eastern end of the Canongate and the termination
of the Royal Mile is the Abbey and Palace of Holyroodhouse, more commonly referred
to as Holyrood. This is the official domicile of Her Majesty the Queen when she is
in Edinburgh.
The Abbey was founded in 1128 by King David I after
he had been injured by a stag whilst hunting. Legend has it that the animal was about
to gore him and he reached defensively for its antlers whereupon he found himself
grasping a crucifix or holy rood (cross). He therefore founded the abbey for Augustinian
monks devoted to the cross and granted a burgh to the canons, Canongate. The abbey,
set in a valley, became a more favoured royal residence, sheltered by Arthur's Seat
and Salisbury Crags as opposed to the draughty heights of the castle.
James IV was responsible for the creation of the original
palace in the early 1500's, which was replaced with a more imposing building by Charles
II who never had the opportunity to live in it. During the 'Rough Wooing' of 1544
and the Reformation as well as at the hands of Cromwell's troops, both the palace
and the abbey took a considerable pounding. Mary Queen of Scots set up her court
here and was married in the abbey church in 1655 to Darnley, then later to Bothwell.
In 1745 Prince Charles Edward Stewart held court in the palace during his brief,
victorious stay before venturing south to Derby, then back to his ignoble defeat
at Culloden.
From the reign of James VI until Queen Victoria, the
palace stood empty of royal visitors. Tours covering some of the more public areas
last 35 minutes and leave regularly. The abbey stands in the grounds of the palace
with little more than the nave left to see of this once beautiful building.
Directly opposite the palace is a wide tract of grass
and craggy hills. The largest expanse of open ground in the city, Holyrood Park is
a gathering site for leisure pursuits. Dominated by the volcanic fragments of Arthur's
Seat at 823ft (251m), an active volcano about 250 million years ago, and Salisbury
Crags, there is a winding road that takes you around these hills to Dunsappie Loch,
a wildfowl sanctuary and easy starting place for a hike up Arthur's Seat. This circular
route returns via the Queens Drive or you can take a diversion past Duddingston Loch
and into the village of Duddingston. This was the quarters for Bonnie Prince Charlie's
Jacobite army whilst he held court at Holyrood.
The New Town
It was James Drummond, the six times Lord Provost
of Edinburgh, who came up with the idea of a 'new town' and urged the council to
support it to relieve the chronic overcrowding that had occurred in the warren of
ancient closes and alleyways of Old Edinburgh. A competition was announced in 1767
to design the new quarter, won by James Craig, a 23-year-old unknown architect. His
plan was to create an entirely residential area consisting of three main east-west
streets encompassed by two grand squares at either end and incorporating large public
gardens and green areas.
The symmetry of Craig's design was unusual at the time, a
grid-iron layout that allowed for ample fresh air and wide, uninterrupted views.
The New Town according to Craig's plan was complete in 1830. Using cart-loads of
earth dug up from foundations of new town houses, a rampart was also created over
the now drained Nor' Loch to gain easier access to the New Town. This was imaginatively
called the Mound. The Nor' Loch was later transformed into the beautiful Princes
Street Gardens which are divided in two by the Mound.
Two buildings grace the foot of the Mound that have
contributed much to Edinburgh's epithet of the 'Athens of the North'. Designed by
William Playfair in the 1840s and the first stone laid by Prince Albert in 1850,
the Royal Scottish Academy and the National Gallery of Scotland are Grecian-style,
Doric temples, opened daily and admission is free. The gallery was completely refurbished
in the 1980s and brought back to its original Playfair design. The interiors are
carefully designed to augment the themes and colours of the paintings on display
and the collection brings together painters of every school and part of the world.
The Royal Scottish Academy holds Old Scottish Masters
but is more dedicated to its two main exhibitions of fine art, the Annual Exhibition
during the summer and the Festival Exhibition.
On Princes Street, you enter the New Town proper.
Of course, the New Town now is over 200 years old and much of Craig's original ideas
have been abandoned. The largely residential intent was superseded by financial and
professional institutions now occupying most of the buildings in the adjacent George
Street and Queen Street while Princes Street has become the main shopping thoroughfare.
At the eastern end of Princes Street there remains
an architectural gem, Register House, a Robert Adam neo-classical design of 1770
with the Duke of Wellington on horseback standing before it. The Cafe Royal, to the
left of Register House, is one of Edinburgh's oldest and best-known pubs. Waverley
Market stands between the Balmoral and the Scott Monument above Waverley Railway
Station. On its upper level is the main Tourist Information Centre. Below is a spacious
shopping mall with several good shops and eateries.
Across the road is the Scott Monument, a predominant
feature on Princes Street's skyline with a total of 287 steps in all leading to a
tremendous view of this part of the city. The monument chiselled from a 50-ton block
of Carrara marble was erected in 1844 in honour of Sir Walter Scott.
How did a writer deserve such a monument, one might
ask. At the time, Scott's contemporaries felt that he had achieved a rekindling of
pride and national feeling which had been lost since the time of Bonnie Prince Charlie.
This culminated in a visit by George IV in 1822. Scott used all his creative skills
to stage-manage the event incorporating some of the over-romanticised images he had
used in his highly popular novels.
The kilt and the bagpipes were ushered back from their
100-year-old exile, almost as stage-props, with George IV even wearing a kilt during
the visit. Since then, Scott has been largely attributed to the image of tartan kilts
and skirling pipes that is synonymous of Scotland for the rest of the world.
For those that wish to see the city from yet another
viewpoint, the climb up Calton Hill will be more than adequately rewarded. The hill
is seen at the east end of Princes Street and is easily reached by a flight of steps
or the road a little further on.
The views stretch across Edinburgh in all directions
taking in the Firth of Forth, just catching the bridges, across to Fife and a good
prospect of Arthur's Seat with Holyrood Palace at its foot. Perhaps the best vista
is looking west up Princes Street with its spires, chimneys and many statues. This
was Robert Louis Stephenson's favourite escape to view his much-loved city.
The various Calton Hill structures include the National
Monument standing like a Parthenon, started in 1822 by William Playfair. The intention
then was to build a full-sized replica of that famous Greek monument but the town
ran out of money and it was later nicknamed 'the National Disgrace'.
The 100ft-(30.5m) Nelson Monument, shaped like a telescope,
was completed in 1814 in honour of the naval hero. The Old Royal Observatory to the
west of the hill now contains 'The Edinburgh Experience' with details on the city's
history from its volcanic birth to the present day using a three-dimensional slide
show.
For the architectural enthusiast there is much to
see on George Street and Queen Street. St Andrews Square and Charlotte Square stand
at opposite ends of George Street and contain some of the most exalted examples.
Charlotte Square, designed by Robert Adam in 1791, a year before his death bringing
to it a unity of aspect that some of the New Town developments lacked.
The Georgian House on the north side has been opened
to illustrate the social and domestic life of a nineteenth century well-to-do family
with delightful accoutrements of the period and furniture. St Andrews Square at the
opposite end has several imposing structures now mostly used by financial institutions.
Returning to Princes Street, there are moves afoot to pedestrianize
from the Caledonian Hotel at the western end to the Balmoral in the east. At the
moment a malevolent river of traffic has to be negotiated to reach the more sanguine
Princes Street Gardens. The gardens are an oasis of greenery and unstinting flower
displays set in the heart of the busy centre of the capital. During the summer concerts
are staged in the canvas-covered auditorium.
The main north and west railway line fringes the south
side of the gardens hidden away from view. At the east end of the gardens is Waverely
Station and standing outside are a selection of open-top buses providing enlightening
tours of the city.
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